Suzy Wrong at the Edinburgh Fringe Festival - 30th anniversary

Suzy Wrong, Stereotype Slayer, hits the Edinburgh Fringe Festval

Thirty years ago today, I took my show, Suzy Wrong Human Cannon, to the Edinburgh Fringe Festival, a historic first by a Chinese Brit.

It was a ground-breaking challenge thrown down to the degrading stereotypes embedded deeply in western culture, and it succeeded in making visible the pernicious way in which these representations thrive. And it was done by a Chinese woman, not a distanced academic with no skin in the game.

Yellow Peril tropes of vacuous Lotus Blossoms and evil Dragon Ladies had been around ever since the 19th century Opium Wars demanded subjugation of Chinese through dehumanisation as well as military conquest. When the target group is no longer recognised as human, Empire can perform all sorts of dog-whistle tricks to manipulate its own population into morally reprehensible behaviour from exploitation to outright war. This is particularly effective and serves a dual purpose if the domestic population is also directly suffering from its ruling classes' predations, but doesn't know who's doing it. Now you see it, now you don't. Hey, blame this group, instead.

In 1994, I'd half suspected my show might not be necessary. After all, surely we were all sophisticated enough to recognise the stereotypes of evil, dishonest, cheating, Fu Manchu creatures and reject them. The screening of Priscilla, Queen of the Desert, at the same festival I was playing, disabused me of that optimism.

Sadly, the wave of character assassination in the Western media regarding the Chinese Olympians at Paris 2024 confirms what I've been warning for several years. They are back with a vengeance and being served up to a beleaguered home population in search of scapegoats for the social and economic wreckage wrought by successively savage rounds of government.

Crude scapegoating started in earnest after Obama's Pivot to Asia with Trump's Trade War. It was closely followed by US NED colour revolution attempts and the klaxon-horn accusations of the Covid pandemic as public health was weaponised.

So what's changed for Suzy Wrong?

So what's changed in 30 years? What would Suzy Wrong see that's different in our brave new world order since trailblazing her view at the Pleasance Theatre in Edinburgh in 1994?

First, there's over 800 million raised out of absolute poverty, a growing middle-class of 550 million, nearly twice the size of the US, a 97% satisfaction with the governing Communist Party of China, according to Harvard/Pew research. Pollution is on the wane as China gets to grips with renewables and blue skies are now the norm.

Their economy was motoring ahead until the US decided to put the boot in and then pretend that slow-downs have somehow happened organically, rather than resulting from wave after wave of hate-fuelled sabotage. China's phenomenal success engenders jealousy and they now have to contend with an Opium Wars 2 shaping up as the declining western nations seek the bludgeoning success of old Empires, now that they have little creative left to offer.

Cultural scar tissue

Although China is finding ways around these obstacles, this still leaves scar tissue. Culturally, there's a new colonialism rising as this stuff mutates and adapts. It's disappointing to see that China still hasn't thrown off its adoration of the white man from nearly two centuries of being beaten down. Andrew Tate only has to say something nice about China for uncritical Chinese media to lose their minds and fawn. Mediocre latecomers shove facts around a narrow bandwidth and middle-level bureaucrats throw their weight behind them as they're dragged into bad habits; mostly reactive, unable to project ahead or discuss principles and anything in the abstract.

And, of course, nothing is true unless a white or non-Chinese person says it is true. This takes us full-circle back to the 1870s downturn in the American economy when it took ten "Chinamen" to equal the voice of one white man and a "Chinaman's chance" meant no chance at all.

The harder the West attacks China, the more a significant strand seems to retreat into the old feudal thinking that the OG communists worked so hard to yank them out of. The effects of the psyops are sad to see.

Stuck at Technocrat Level

China has thrived, surpassing the west as technocrats. It has reached the highest levels in the face of unremitting hostility from the declining superpower. The ironies of hostile American policies boomeranging and propelling China to new standards of technological excellence are a pleasure to watch, proving necessity is the Mother of Invention.

However, the same pressures show signs of forcing a contraction of the recent explosion of China's renewed consciousness into old patterns of racial self-doubt and sexism. The West's efforts to contain China are not simply about economics and warfare — they've set their sights on China's cultural and psychological development into its new modern era, of which only 50 years have passed, a mere blip in history.

Have women peaked with former ambassador to the UK Fu Ying (2007-9) and the wonderfully womanly Liu Xin in the Chinese media? Both of whom I wish I'd had as role-models when I was growing up. Tiny girl-women put through elfin filters set to max with high tinkling voices now seems to be what pleases men.

Watching developments, I'm hoping this is just two steps forward and one step back, not a full stop. I'm reminded of the virtual reality game in Three Body Problem where civilisation gets so far and then is lost on the surprise turn of a star.

Raise your game, China. Don't lose the fight at the Technocrat level.

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