Showing posts with label disaster. Show all posts
Showing posts with label disaster. Show all posts

Wednesday, 30 December 2009

Tsunami Caught On Camera: Boxing Day 2004


Well, that is the most harrowing film I've seen for a long time.

I'm watching Channel 4's Tsunami: Caught On Camera, tourist video footage of the Boxing Day disaster in 2004. When this actually happened I was in bed, drowning in my own lung fluid from a severe bout of bronchitis while the TV was on in the background. Somewhat delirious, I assumed I was hallucinating and putting the scenario together in my head. It was a shock when the blur between imagination and reality sharpened a few days later and I realised that was no fever dream.

What's really scary is the way we behave in the face of danger. People are staring at the oncoming wave in the distance, admiring the fascinating beauty of this thin white line and not realising what's coming at them until boats are overturned and it's almost on top of them. Someone calls it "a perfect wave." Despite the magnitude and speed of the advancing wall of sludge, people are rabbits in the headlights. The locals are just as vulnerable as they have no idea of the significance of the outflow of the sea and the bare sea bed. They've never seen its like before.

Everyone's gawping. "Hey, what's that? Do you think it's anything to do with the tremors this morning?" "Nah!"

Yeah, that looks like fun. You want to yell at the telly, "RUN!" For those of us who saw the movie Krakatoa East of Java as kids we recognise the signs. Anyone who carried on reading about geological phenomena knows that, if the sea starts acting funny, head for the hills. Respect the ocean. Basic physics: a big trough means a big wave coming up behind it.

Someone finally utters the word you want to hear: "tsunami". And then the spell is broken. For some.

A lot of the running is done seemingly in slomo. One tourist in red bathing trunks is on the beach staring out and then engulfed. An elderly couple stumble towards the hotel, survive the first wave and then sort of freeze. People practically crawl up the stairs.

I'm sitting here with my hand clasped across my face, willing them to run.

For there are more waves to come, each stronger than the last. One Briton tells us how the worst thing for him was being on top of a building and not knowing if this would be the last one. Would the next one collapse the building, overwhelm each man-made edifice? Even for those in the hills, rumours go round that another one 50 metres high is coming, and another after that 100 metres.

Every time you see someone in the water you know that's a dead person in waiting. It is truly horrible.

Survivors tell of the massive power. It's been described as like being churned around in a giant washing machine with big chunks of concrete. A man's clavicle breaks. A woman feels something snap and then she can't use her legs. Turns out she's just heard her pelvis shattering. Another couple try to cling on to their little girl. The mother loses grip of her. The next time they see her she's in a coffin.

Hotel manager Mark Heather phones his wife who's in their bungalow within his eyesight, hears it ring, yells, "Move! Move!" before it goes dead. That's probably when she died.

American Stu Breisch and his diving party are caught in the undersea whirlpool and emerge to a scene like World War Three. Thousands of dead bodies on the beach. There'll be 300,000 in total. He assumes his two teenage kids are dead as the bungalow they were in is flattened and they have to dig through the rubble. It's one of the tales with a happy outcome. Sort of. They find their son, Jay, in a hospital. But his sister Kali is dead. In one of the most distressing moments among many, a film crew captures the moment the family find the photo of her body posted on a wall with countless others.

Grim. Life. Don't waste it.

Tsunami Caught On Camera: Boxing Day 2004


Well, that is the most harrowing film I've seen for a long time.

I'm watching Channel 4's Tsunami: Caught On Camera, tourist video footage of the Boxing Day disaster in 2004. When this actually happened I was in bed, drowning in my own lung fluid from a severe bout of bronchitis while the TV was on in the background. Somewhat delirious, I assumed I was hallucinating and putting the scenario together in my head. It was a shock when the blur between imagination and reality sharpened a few days later and I realised that was no fever dream.

What's really scary is the way we behave in the face of danger. People are staring at the oncoming wave in the distance, admiring the fascinating beauty of this thin white line and not realising what's coming at them until boats are overturned and it's almost on top of them. Someone calls it "a perfect wave." Despite the magnitude and speed of the advancing wall of sludge, people are rabbits in the headlights. The locals are just as vulnerable as they have no idea of the significance of the outflow of the sea and the bare sea bed. They've never seen its like before.

Everyone's gawping. "Hey, what's that? Do you think it's anything to do with the tremors this morning?" "Nah!"

Yeah, that looks like fun. You want to yell at the telly, "RUN!" For those of us who saw the movie Krakatoa East of Java as kids we recognise the signs. Anyone who carried on reading about geological phenomena knows that, if the sea starts acting funny, head for the hills. Respect the ocean. Basic physics: a big trough means a big wave coming up behind it.

Someone finally utters the word you want to hear: "tsunami". And then the spell is broken. For some.

A lot of the running is done seemingly in slomo. One tourist in red bathing trunks is on the beach staring out and then engulfed. An elderly couple stumble towards the hotel, survive the first wave and then sort of freeze. People practically crawl up the stairs.

I'm sitting here with my hand clasped across my face, willing them to run.

For there are more waves to come, each stronger than the last. One Briton tells us how the worst thing for him was being on top of a building and not knowing if this would be the last one. Would the next one collapse the building, overwhelm each man-made edifice? Even for those in the hills, rumours go round that another one 50 metres high is coming, and another after that 100 metres.

Every time you see someone in the water you know that's a dead person in waiting. It is truly horrible.

Survivors tell of the massive power. It's been described as like being churned around in a giant washing machine with big chunks of concrete. A man's clavicle breaks. A woman feels something snap and then she can't use her legs. Turns out she's just heard her pelvis shattering. Another couple try to cling on to their little girl. The mother loses grip of her. The next time they see her she's in a coffin.

Hotel manager Mark Heather phones his wife who's in their bungalow within his eyesight, hears it ring, yells, "Move! Move!" before it goes dead. That's probably when she died.

American Stu Breisch and his diving party are caught in the undersea whirlpool and emerge to a scene like World War Three. Thousands of dead bodies on the beach. There'll be 300,000 in total. He assumes his two teenage kids are dead as the bungalow they were in is flattened and they have to dig through the rubble. It's one of the tales with a happy outcome. Sort of. They find their son, Jay, in a hospital. But his sister Kali is dead. In one of the most distressing moments among many, a film crew captures the moment the family find the photo of her body posted on a wall with countless others.

Grim. Life. Don't waste it.

Friday, 20 February 2009

Morecambe Bay disaster poem: how charity works


Having been invited to participate in a fund-raising event commemorating the 5th anniversary of the Morecambe Bay disaster (5th February), I was going to write something about it here.

But seeing how it was derailed from its original purpose by power and money, not to mention the power of money, I've thought long and hard about the role of charity in blinding us to the issues and maintaining the status quo.

It was to be a star-studded gala full of high-rolling movers and shakers. But the idea of reading out letters from the orphaned children of the victims to an audience largely composed of the Establishment who make these rules and set the agenda, made me feel ill. After all, aren't I supposed to be comforting the afflicted and afflicting the comfortable and not the other way round? I spent a sleepless night wondering if I could stand there onstage and make the powerful feel good about themselves. Images of Malcolm McDowell in the last reel of If abounded. I decided to withdraw.

Although the charity doubled its target and the survivors' children are assured of an education until the age of 20, something the charity should rightly be proud of, the original aim of the event was to also raise awareness about unauthorised workers and so try to prevent future Morecambe Bays occurring. Human history is a history of migration. Yet while capital knows no frontiers and is allowed to go anywhere in the world in pursuit of cheap labour, labour must stay home and starve. But this perspective was dropped and the planned presswork suddenly stopped as other interests took over.

My instinct proved right when I read one of the articles put out by the wealthy acting spokesperson of the charity, a Chinese entrepreneur, in which he called for a halt to "'aspiring' illegal immigrants" leaving China; stated that Britain has zero tolerance towards economic migrants, which is a bit of an insult to the British; and telling the Chinese associations their job is to dissuade Chinese from coming here. What wasn't said is that this applies to poor Chinese. If you are rich, the world is your oyster and you can go where you like. As does the author of the article.

So I wrote this poem.

I Am Rich and You Are Poor
Lines on dead Chinese workers and their rich benefactors
February 2009

I am rich and you are poor,
I travel, you seek a foreign shore,
You have needs but I have more.
Hey, let’s all give to charidee

The world’s an oyster, a wondrous thing,
Find the pearl, make an angel sing,
To swinish herds it’s all just bling
Hey, let’s all give to charidee

I’ve news for you, I’ll beg, implore,
You aren’t walking through that door,
You figure what frontiers are for.
Hey, let’s all give to charidee

I am rich and you are skint
You slave for pennies, I made a mint
This world loves those who’re carved from flint
Hey, let’s all give to charidee

I weep for you, I sympathise
Look, tears are welling in my eyes
You’re coming here to seek the prize,
But tales of gold are pretty lies
You want to be where you’re despised?
You’ll be lucky if you’re serving fries,
Yes, me, well I have cash to buy
Whatever I want, I get to fly

Not hide in a truck, rolling in muck
Relying on luck to make a buck
Stuck in a rut with the doors all shut
Banging on gates and the ladder pulled up.
Sucked down in the sands
You ebb with the tides
White under the moon
You shine in the sea

I am rich and you are poor
Bottom of the barrel while I’m top drawer.
I will help you stay where you are
Hey, let’s all give to charidee

I am rich, you’re stony broke
I am special, you’re an anonymous bloke
We’ll only love, respect, honour, support, hold you, care for your loved ones, when you croak
Hey, let’s all give to charidee

STOP PRESS: Marina Hyde's trenchant take on charity and the Fortune Forum which proposes tax cuts for the rich to help the poor.

Morecambe Bay disaster poem: how charity works


Having been invited to participate in a fund-raising event commemorating the 5th anniversary of the Morecambe Bay disaster (5th February), I was going to write something about it here.

But seeing how it was derailed from its original purpose by power and money, not to mention the power of money, I've thought long and hard about the role of charity in blinding us to the issues and maintaining the status quo.

It was to be a star-studded gala full of high-rolling movers and shakers. But the idea of reading out letters from the orphaned children of the victims to an audience largely composed of the Establishment who make these rules and set the agenda, made me feel ill. After all, aren't I supposed to be comforting the afflicted and afflicting the comfortable and not the other way round? I spent a sleepless night wondering if I could stand there onstage and make the powerful feel good about themselves. Images of Malcolm McDowell in the last reel of If abounded. I decided to withdraw.

Although the charity doubled its target and the survivors' children are assured of an education until the age of 20, something the charity should rightly be proud of, the original aim of the event was to also raise awareness about unauthorised workers and so try to prevent future Morecambe Bays occurring. Human history is a history of migration. Yet while capital knows no frontiers and is allowed to go anywhere in the world in pursuit of cheap labour, labour must stay home and starve. But this perspective was dropped and the planned presswork suddenly stopped as other interests took over.

My instinct proved right when I read one of the articles put out by the wealthy acting spokesperson of the charity, a Chinese entrepreneur, in which he called for a halt to "'aspiring' illegal immigrants" leaving China; stated that Britain has zero tolerance towards economic migrants, which is a bit of an insult to the British; and telling the Chinese associations their job is to dissuade Chinese from coming here. What wasn't said is that this applies to poor Chinese. If you are rich, the world is your oyster and you can go where you like. As does the author of the article.

So I wrote this poem.

I Am Rich and You Are Poor
Lines on dead Chinese workers and their rich benefactors
February 2009

I am rich and you are poor,
I travel, you seek a foreign shore,
You have needs but I have more.
Hey, let’s all give to charidee

The world’s an oyster, a wondrous thing,
Find the pearl, make an angel sing,
To swinish herds it’s all just bling
Hey, let’s all give to charidee

I’ve news for you, I’ll beg, implore,
You aren’t walking through that door,
You figure what frontiers are for.
Hey, let’s all give to charidee

I am rich and you are skint
You slave for pennies, I made a mint
This world loves those who’re carved from flint
Hey, let’s all give to charidee

I weep for you, I sympathise
Look, tears are welling in my eyes
You’re coming here to seek the prize,
But tales of gold are pretty lies
You want to be where you’re despised?
You’ll be lucky if you’re serving fries,
Yes, me, well I have cash to buy
Whatever I want, I get to fly

Not hide in a truck, rolling in muck
Relying on luck to make a buck
Stuck in a rut with the doors all shut
Banging on gates and the ladder pulled up.
Sucked down in the sands
You ebb with the tides
White under the moon
You shine in the sea

I am rich and you are poor
Bottom of the barrel while I’m top drawer.
I will help you stay where you are
Hey, let’s all give to charidee

I am rich, you’re stony broke
I am special, you’re an anonymous bloke
We’ll only love, respect, honour, support, hold you, care for your loved ones, when you croak
Hey, let’s all give to charidee

STOP PRESS: Marina Hyde's trenchant take on charity and the Fortune Forum which proposes tax cuts for the rich to help the poor.

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