Showing posts with label Reaching for my Gnu. Show all posts
Showing posts with label Reaching for my Gnu. Show all posts

Thursday, 2 October 2014

Tonight at The Forge: I'm reading poetry among a smorgasbord of East Asian talent



DISLOCATING ASIA 7pm tonight at The Forge in Camden.


It's finally arrived … 7pm TONIGHT, I'm performing at the spectacular Dislocating Asia talent fest in Camden. With Charles Shaar Murray, Diana Yeh, Daniel York, Jennifer Lim, Wondermare, Liz Chi Yen Liew (Chi2, Damon Albarn) and Lucky Cat Zoe Baxter.

I'll be doing a 25 minute poetry set accompanied by Charles Shaar Murray on guitar, who'll also be guesting with Wondermare.

Dislocating Asia
This event is part of Camden Migration Festival

WIN: A whole bundle of prizes from our Dislocating Asia contributors. To be in with a chance to take the following home, simply book your ticket now.
1) Signed copy of Diana Yeh's book The Happy Hsiungs: Performing China and the Struggle for Modernity
2) Signed copy of Anna Chen's poetry collection Reaching for My Gnu
3) Signed copy of Liz Liew's CD Snapshots
4) DJ Lucky Cut Zoe Baxter's exclusive mix CD with sleeve notes

The Forge
3-7 Delancey Street
London
NW1 7NL

contact@forgevenue.org

020 7383 7808

Sunday, 20 July 2014

The Verse That Stings: Copper Comes A Cropper

Political satire in poetry still knocking around.


Ian Hislop throws down the gauntlet in The Verse That Stings, his BBC Rado 4 programme on a literary hero of mine, Alexander Pope. (Yes, we did read him in Hackney.)

The Private Eye editor and Armando Iannucci bemoan the lack of satirical poetry, so I'm getting mine in now.

Here's one from my collection, Reaching for my Gnu (pub Aaaargh! Press).

Copper Comes A Cropper

A little bit of sympathy at the back, there,
Puh-leaze. Let's be 'avin’ yew.
At the Leveson inquiry
The cruellest moment is when
Sir Paul Stephenson,
The poor put-upon former chief Bill,
Hobbles in on crutches and drops a pill,
Cutting such a pathetic sight
Under the assembled legal might.
So small for a tall man,
Bespectacled nerd,
Pinched lips, he can barely cope.
Only a thug like a lawyer
Would punch well-honed words
At a man on the ropes.

He says:
I may be public watchdog eyes and ears
but I wasn't there, never heard a thing,
Couldn't see, except for what the reptiles did to Lord Ian Blair,
Stripped bare in the glare of the Sun
And that wasn't going to happen to me.

A loose-lipped minority gossiped
In a distracting dialogue of disharmony,
Dysfunctional, too close for my liking,
But I couldn't do a thing, not a thing.

Ever so humbly, I suggest you are
Crediting me with a level of analysis I don't have,
I didn't give it any particular thought,
No conclusions can be wrought,
It was just something that happened,
Like the Sun coming up in the morning,
Shedding light on the scum we turned over.
I am not fawning but we don't investigate someone
We know socially and with whom we are friends.
Except when we did the police officers.
A big boy done it and ran away
And stopped us realising there was anything wrong
When he told us there was no new hack sore.
We adopted a defensive mindset instead of a challenging stance,
I can see that now.
It was a cursory glance,
Not wide, not deep,
We were asleep.
If only we had the wisdom of hindsight and weren't caught out
It would all be all right.

I'm not throwing my colleague out of the back of the sleigh and
I can't answer for him but
It would have been wiser presentationally
For him to have done it different.
However, he is away in Bahrain and you aren't getting him back in Old Blighty
Until the heat is off,
Until you call off the dogs,
Until the trail has chilled like the champagne we quaffed as we doffed.
Defending and not challenging,
That was the error of our ways.
We are brave and did not back off, guv,
Just because it was News International.

We were logical and needed the polaroids
'Cause the tapes and diaries in Glenn's black bags were not enough.
It was the Bahrain runaway who did not reopen the enquiry.
He failed, it is regrettable. That's tough.
Fear of taking on a powerful enterprise is not the case.
I did not put the frighteners on the Guardian editor,
Or spray him with Mace,
Or rough him up too much.
Politics over substance,
I merely turned up to understand.
But there was no meeting of minds,
My pulse did not race,
You could not get off your face with him
Unlike the real press, proper gents we could have a laugh with
Over drinksand a nice dinner.
Call it folly but Mr Wallis was generous with the Bolly
And Yates of the Yard was fond of his jollies.
I just did not get it and wasn't keeping tally,
The Met caught Chamy Media off Wallis by getting too pally
But we gave him Cressida Dick.

A lack of evidence beyond the lone rogue reporter
Meant rationed resources and an underfunded force
Would not be put on the job as a matter of course.
Please give us more dosh if you wish us to wield the cosh.
I was overworked with anti-terrorism,
The Olympics,
Not my decision,
A junior did it and is sunning himself in sandy climes.
I am an ill man, I need a week in a spa.
Can you recommend one?

And so they adjourn for another time.
But spare a thought for the thin blue line.
Poor Raisa, disappeared, turned to glue,
Currently starring in a pet-food can near you
To stop her singing like a canary,
Squealing like a pig at an inquiry.
Take the porkers she carried;
She knew Cameron's arse inside and out,
Blue heart and stout,
Fullsome about Coulson,
He put it about,
Withdrew when the thin blue sphincter tightened,
Purged the toad and found his load lightened.
Raisa rode bravely into the student throngs they harried,
Righting a wrong for the right,
Got the stomach for a fight when protesters say neigh
And you weigh as much as ten of them
With a bobby on your back.
Truncheoned before luncheon
Unfree by tea,
Scuppered before supper.
A hack for the hacks,
The sack for the lax
When they find out
Her hooves are all over this
and her head is in some mogul's bed.

Anna Chen March 2012

More facts emerge about Cameron, Rebekah Brooks and Raisa.

Sunday, 14 July 2013

I Am Rich and You Are Poor: poem by Anna Chen



"I Am Rich and You Are Poor: lines on dead Chinese workers and their rich benefactors", Anna Chen's poem about the 21 Chinese cocklepickers who died at Morecambe Bay in 2004.

More from Anna's Pop-Up poetry video collection 
Burger
Yellowface
Poe

Saturday, 13 July 2013

My new poetry videos: the Pop-Up collection



I got to borrow my friend Sukey Parnell's wonderful little pop-up studio on Friday. It's a fold-up black velvet backdrop and a collapsible tubular metal frame. Filming in the north-facing bay window on my Panasonic Lumix TZ20 produced some interesting footage.

Here, for your delectation, are some of the results from my playday.

I Am Rich and You Are Poor: lines on dead Chinese workers and their rich benefactors.

Burger

More to come.

Anna's poetry book, Reaching for my Gnu, is published by Aaaargh! Press.

Friday, 5 July 2013

Greg Palast enjoys Anna Chen's "heavily armed" poetry


Look what that nice Mr Palast wrote about Reaching for my Gnu in Vice Magazine.

"Anna Chen’s poetry wears wet leathers, red lipstick, stilettos – and is heavily armed. Her slim volume, Reaching for My Gnu, is filled with what I’d call 'strap-on poems'. They look like an evening’s easy pleasure but are far more painful and unforgettable than you’d bargained for." GREG PALAST in VICE MAGAZINE

Oo-er, Greg, you'll scare the horses.

Paperback and Kindle books from here. Published by Aaaargh! Press.

Photo by Charles Shaar Murray

Saturday, 1 June 2013

Wilko Johnson likes Anna Chen's poetry: video



So pleased to have received such sweet encouragement from Wilko Johnson for my poetry book, Reaching for my Gnu. (When I hear the word "culture", I reach for my gnu.)

I've uploaded the video again at full quality as my camera struggles in low light.

Thank you, Wilko. x

Anna plays the Stoke Newington Literature Festival on Sunday 9th June in the Budvar Marquee at around 5pm — time to be confirmed.

Saturday, 11 May 2013

"Burning words full of life and truth": review of my poetry in the Morning Star



Quasi gal, quasi Byronic. It's official — I write like the poetry dudes of old.

I'm delighted and a bit stunned to read a wonderful review of my poetry collection, Reaching for my Gnu, in today's Morning Star, written by writer and revolutionary teacher Chris Searle.

Chris says of my poetry:

"... a strange rendezvous of language, wit, and the imagination."

"She fully integrates the movingly personal, the vibrantly social and the diablolically political."

"Her rhyming is frequently quasi-Byronic, full of surprise and acerbic invention and her images, in their oft-times grotesquerie — as in poems like Orange Tone — carry a similar visual revulsion as those brilliantly caricatured by the Morning Star’s cartoonist Martin Rowson."

"But the most compelling poem in this collection is Big Society: On A Conversation In The Foundling Museum. 'We grow poorer and yet/ we birth millionaires like stars in a nebula,' she declares and her final message shines out for us all: 'You who are going under, heal/Take back from those who steal./Rise [in]to the light of the sun.' Burning words, full of life and truth."

I remember Chris from when I was a kid at the summer school he ran in a former fire station in the East End's Roman Road (now a Buddhist temple). He was already a legend having inspired the pupils up the road at Sir John Cass and Redcoat School to write poetry which he published in a book, Stepney Words. Shocked by the literary inner landscape of its working class pupils, the school governors sacked him and the kids promptly went out on strike until he was reinstated.

He then cast his net wider across other schools and released more young inner worlds in Fire Words, published by Jonathan Cape. Two of my poems got in. They were juvenilia (and, typical for me, political) but the important thing was that being encouraged to write and then published unleashed something, like a catch being lifted from a door. Feelings poured out with structure, purpose and confidence.

Children from Hackney weren't supposed to have a view of the world and our own experience in it. But here we were, writing, observing, learning, honing and perfecting.

He was one of two teachers who saw something in me and helped me access it — and that represents about the best you can do with another human being. This was sadly against a background of people — including some teachers and leftists, then as now — who tried to bash it back in. Luckily, the spirit endures and sometimes even flourishes.

So when I hear the word culture, I do now reach for my gnu.

Thursday, 2 May 2013

May Day poetry: Credit Crunch Suicide from Anna Chen



Had a lovely gig last night at the Morning Star's May Day celebrations in Kilburn, London.

Also playing, singer songwriter Sean Taylor, a wonderful guitarist. Q Magazine called him, "A bluesey devotional intensity that rightly draws comparisons to John Martyn". And they;'re right.

Khamis and J-Mac were our DJs for the night, while Attila the Stockbroker headlined with his angry punky poetry. Very funny.

I performed my poems. First video up — Credit Crunch Suicide — about our delightful bankers. Thanks to Charles Shaar Murray for camera duties.

Anna reads Margaret Thatcher Died at the Ritz

Anna reads I am Rich and You are Poor: lines on dead Chinese cocklepickers and their rich benefactors

Tuesday, 18 December 2012

AAAARGH! PRESS LAUNCHES WITH TWO TITLES

Aaargh! Press, a new Brit alternative small press, is celebrating its birth with a party in London next month to mark the publication of its first titles, Reaching for my Gnu by Anna Chen (Kindle eBook and paperback) and The Guitar Geek Dossier by Charles Shaar Murray (Kindle eBook only for now).

Reaching for my Gnu, a collection of poems by British-Chinese poet and performer Anna Chen is available as a paperback for £9.99 and as a Kindle e-book for £1.99.

'Brilliant and dangerous ... one wild-ride roller-coaster that soars to altitudes of unfettered wit and then plunges with a startling and implacably knowing anger' MICK FARREN

'Superb' GREG PALAST

'Charming, witty and sophisticated' SUNDAY TIMES


The Guitar Geek Dossier, an author's-choice collection of columns from Guitarist by legendary music journalist Charles Shaar Murray is available as a Kindle eBook for £1.99.

'The Johnny Cash of rock journalism' PHIL CAMPBELL, MOTORHEAD

'The rock critic’s rock critic' Q MAGAZINE

'Front-line cultural warrior' INDEPENDENT ON SUNDAY

Charles is author of Crosstown Traffic: Jimi Hendrix And Post-war Pop and Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century (both Canongate). His first novel, The Hellhound Sample, was published by Headpress in 2011.

The details of the launch party, which will be something to remember, will be posted here and on the official Aaaaargh! Press website very soon.

MY ASIAN PLANET calls Anna Chen "a bit of a Chinese firecracker" and says of the book, "It's saucy, devilish and delightful!"

Monday, 9 July 2012

REACHING FOR MY GNU: Anna's poetry book out soon

Coming soon to an eReader near you, my first collection of poetry, the very fine "Reaching for my Gnu" on Aaaargh Press.

Designed by Paul Anderson, adorned with my favourite pic of me by Sukey Parnell, and with an intro by Charles Shaar Murray.

Watch this space ...

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