Showing posts with label anna chen. Show all posts
Showing posts with label anna chen. Show all posts

Friday, 19 July 2024

New poetry videos and a cultural feast from Anna Chen

Anna Chen's poetry and politics at TikTok

Culture and politics converge in Anna Chen’s video surge


I’m delighted to announce I’m adding more videos to my long form writing as found extensively on this website. I’ll be spreading the love to TikTok and YouTube.

My TikTok page got off to a promising start with POE, my funny poem about Edgar Allan Poe, garnering 218K likes in a week. Oh, now 219.3K. Yup, who knew the dark story-lord had so many fans? I’m going to keep this up. It’s not like I’m short of material, heh! Please bookmark the pages and follow.

Political and cultural commentary feature as it’s my contention that they are not separate but inextricably linked in service to power. It’s just that the West is so much better at it. That’s not a surprise considering that the US poured so much money into its cultural domination wars.

Culture wars always and everywhere


For example, spearheading the international art world with its wave of modern art. Francis Stonor Saunders explains this brilliantly in her book, Who Pays the Piper? I bought this when it was published around 2000, having been told about this corner of the culture war as a yoot by British artist and critic Patrick Heron in my home-from-home in St Ives, Cornwall.

Hollywood is well known as operating as the main arm of the US propaganda machine with many books and articles now available about the role of the CIA and the Office of Strategic Affairs in its movies. Whoah! Did you know that Hollywood suppressed the Weinstein revelations under the influence of Certain Parties?

One reason America is so good at concealing its mass manipulation is that it’s had decades of practise in its advertising industry. Vance Packard’s The Hidden Persuaders is the classic text on this subject.

America has an army of psychologists with nothing better to do than researching new and more effective ways to twist your melon completely out of shape. This has added to the the already existing Yellow Peril tropes embedded deeply in Western culture ever since the 19th century Opium Wars and the eight-nation alliance of murderous bandit powers that maimed and pillaged China for a hundred years.

I’ve been investigating this geopolitical friction from Empire for 30 years, ever since I took Suzy Wrong – Human Cannon to the Edinburgh Fringe festival in 1994 — a first for a Chinese Brit. See my various writings on this such as Yellowface: the erasure of a race, Sinophobia and the political roots of racism, and A Permanent Reservoir of Scapegoats and many more.

Poetry videos and radio series


In addition to my culture and poetry videos, and having the perfect face for radio, I’m going to be uploading 16 episodes of my pioneering ResonanceFM series from 2013 and 2014, Madam Miaow’s Culture Lounge. I’m aiming to get these up on YouTube and at this website over the rest of the year. So do have a listen to what someone straddling two major cultures since birth has to say about them.

Boomers poem at TikTok

The Diss Persists poem at TikTok

Friday, 15 March 2024

View from the Edge Bulletin 2: Margate Grains of Sand

First published at Anna's new website: ANNA CHEN



Previously in View from the Edge … When David Bowie died in 2016 he took all the cosmic glue with him. Some suspect that we’ve all been trapped in a science fiction writer’s coma dream ever since. Or was there an earlier rip in the multiverse?

EDGE BULLETIN 1: Dateline 20 February 2024

By Anna Chen

Margate Grains of Sand



I nearly died in Margate when I was six. It was my own fault. I’d hitched a ride on another girl’s inflatable oval ring which she was paddling into the deep end of the holiday resort’s ancient open-air bathing pool. Set deep into the beach, the rectangle of seaweed-covered rocks filled with grey seawater with each high tide. It felt like it had been there forever: a seaside Stonehenge harnessing the elements.

Somewhere around the middle of the pool, I lost my balance and fell in. A non-swimmer who could barely doggy-paddle, I slipped into the murky water with hardly a splash. Each of the three times I surfaced to gulp air, all I glimpsed were a few shuttered snapshots. Strands of white cloud against the watery sky, the pool’s green-black walls, the girl’s rictus of laughter.

I know how many times it was because I counted. Even at that young age I knew you only had three goes and then you were gone.

Each time I rose, I threw my spindly arm over the ring long enough to take a quick, shallow breath. And each time I slipped from the wet plastic, my own meagre body weight dragging me down.

The fourth time I was desperate. It was, after all, my first-ever race against death. Eye-level with the horizontal seam running along the outside of the inflatable, I noticed the half inch of material sticking out all round. Too small for a fist to grab (and I tried), it was, however, with lightning-fast fine-tuning of motor skills, wide enough for a child’s nimble little fingers to pinch and provide enough buoyancy for a proper breath, if not for a scream.

I managed short, slippery grips while the girl paddled her inflatable into the deep end towards some mysterious purpose from which nothing could distract her. My own objective was to reach the wall and safety before my fingers weakened.

Finally, a few feet away, I let go and lurched towards it, abandoning the sanctuary of the half-inch seam. I grabbed at it only to find a fistful of seaweed slipping through my fingers. Finding no purchase, I slid down a sheer wall of slime, enveloped in weedy fronds. Exhaustion eventually overcame buoyancy. I finally gave up the struggle and accepted my fate.

As I hung suspended in time, in a distantly familiar environment only six years passing, I watched the light playing through the water. I felt completely calm, even peaceful, my only anxiety being that my mother was going to be very angry when she found out. Especially as she’d told me explicitly not to go near the pool which she’d correctly numbered as an unguarded death-trap. I started to breathe in water. It didn’t hurt. I felt no fear. It was almost beautiful. I’d surrendered completely.

It seemed an age but must have only been a few moments before a hand roughly grasped the back of my neck and hauled me out.

I gagged and spluttered to my feet, head pounding, surrounded by a small crowd on Margate sands. Bedraggled and quite embarrassed, I was suddenly overcome by a wave of dread of my mum’s fury, a dread amplified by an outraged chorus of “where’s the mother?” If the pool hadn’t killed me, my mother might well finish the job. What a choice — my own Scylla and Charybdis.

I sometimes wonder if I did die that day and everything since then in this world has been the imaginings of a six-year-old in her last moments. An eternity in the grains of sand on which I stumbled back to our basement holiday rooms in the down-at-heel Royal Crescent.

Because what I’m watching in this “Now” is what a child might construct had she missed her expected life trajectory. If she’d found herself banished to an unrealised, other-worldly plane in which she was left extrapolating a path for humanity from the little experience she’d picked up in her short life, this might very well be it.

She might well be regaining consciousness in a shrieking nosedive into a multiverse gone wrong as capitalism crashes to its flaming end, her widening eyes pulling focus all the way.

Plunging into the snarling instant gratification of immediate primal needs in the most advanced system on the planet, explained by a figure she’d invented called Karl Marx, in a cycle of events to which only someone severely damaged would willingly submit, she might well ask what the hell happened and how do I get out of this.

Did everything change at the Mother Portal? Did I, grasping at seaweed and straws, rename it the Ma Gate in my final moments? Does it really have a revivification chamber called Dreamland?

To be continued ….

Edge Bulletin 2 – Logged 20 February 2024 by Anna Chen

View from the Edge Bulletin 1: The science fiction writer's coma dream

Friday, 23 February 2024

View from the Edge Bulletin 1: Coma Dream

First published at Anna's new website: ANNA CHEN



EDGE BULLETIN 1: Dateline 18 June 2023

By Anna Chen

The science fiction writer’s coma dream


For the longest time it felt like we were trapped in a science fiction writer’s coma dream and nobody could wake him up. We sensed something shifting underfoot, tiny spider-web cracks at first, then the juddering tectonic shift and the beginnings of a rip in the universe. Or was it just the post-war liberal order coming to an end as the capitalist cycle neared completion with all the goodness finally sucked out and nothing more left to give?

David Bowie left us in January 2016, taking all the cosmic glue with him. He’d given us five years. That would take us to 2021. How much worse could it get?

First the empathy went. Then the critical thinking. A cloud of amnesia floated like swarming locusts over the field of human view, before settling invisibly.

We were the last remnants of a better time, a higher collective consciousness when, despite the flaws and age-old crimes, mostly everything was on an upward trajectory. Humankind flowing towards the Great Attractor; full potential, us at our best.

Never before had the mass of any population enjoyed the advantages of princes. Time to spend toiling less in fields and factories and more on the things of wonder and beauty. We enjoyed poetry, philosophy, science, music. We even made it ourselves, no longer solely passive consumers of the crumbs thrown our way, but building things and thinking new possibilities into existence.

Then the storm began to gather.

Someone wanted it all back. A slow, incessant, silent assassin killing off what generations had built up in 400 years of Enlightenment.

They didn’t have to burn books. They just made sure fewer and fewer of us read them.

Giant conglomerates undercut the bookstores while we were busy amusing ourselves to death. You saw them die off in the towns, those peculiar little caches of humanity’s knowledge. It was the burning of the Great Library of Alexandria, this time in slomo. A process of attrition rather than all-out war, it crept up on us. We were the frogs being boiled slowly and served up with garlic sauce.

This one was digging out the roots of our perception. We’d have stuck our fists in the dyke to plug the outpouring, but where was the wall? Where were the cracks? What was the flow and how could we physically stop it?

Thinking it wasn’t enough. The resistance stayed in the heads of the few who saw it but we couldn’t yank it out into the concrete world where the damage was being done, foundations ripped up.

All the small, delicate dendritic connections began to wither and erode as our neurotransmitters dried up. The finest filaments, the sprigs and twiglets at the furthest ends, turned brittle and crumbled, blowing away like ash.

Then the larger twigs. Then along the stems, working its way down the branches until the bough broke and all we had left was brainstem. The world perceived without nuance; crude clashing opposites, grunts and cliches, pleasure and pain without the pleasure, ones and zeros.

It wore down to basic sex drives and fury: fight, flee or fuck. Then even that failed as our libido was throttled.

The television screen that had once been a window into the wider world, seducing us by showing us experiences we were unlikely to have ourselves, that had laid out vicarious pleasures like lacy underwear and chocolates on silk pillows, was now our jailor.

Dramas that drew you into the complex curlicues of thought, that surprised and shed light, now reduced humans to hysterics, never alive unless confronted by death.

The Case for the Prosecution that had once been balanced by a robust Case for the Defence in a society where fair play was the purported pinnacle of civilised existence now stood thuggish and triumphant like a roaring champ over the lifeless body of its opponent. No longer thesis-antithesis-synthesis, but one big tough-guy imposition of narrative smashing your head like a sledgehammer crushes a nut.

With nothing feeding us and no other coordinates directing us to a distanced perspective, everything collapsed into a single plane of grey mush.

Might was right.

Some had done hallucinogenic altered states drugs in their youth and knew the enhanced colours, the deep focus untangling. Others had loved beyond themselves and accessed the divine that way.

This was the opposite. A smashing together of plane after plane after plane, like the pancaking floors of the Twin Towers, into a single dimensional watery-grey contrast-free haze, like the morning after the death of the universe.

Where was up? Which way was down? We only moved when prodded with a big stick stimulus, tasered by horror. We weren’t even lab rats in a maze any more. We were amoeba cells on the petri dish of some mad scientist who thought there were too many of us anyway.

In the time we had left, we noticed few written items online carried dates any more, collapsing chronology and making orientation near impossible. It was hard to tell when something was written, when that idea was born, or what its genesis might have been. How did it slot into the timeline? Meta led the metaverse attempt to yank us out of reality and into their Matrix knock-off. An anaesthetising, soporific tranquiliser in a little headset.

When that failed, they gave us Artificial Intelligence that wasn’t very intelligent after all. More a big fancy word-processor relieving us of the need to experience and have the thoughts ourselves in the way your subconscious once processed all your experiences, gave them shape and made sense of them. Or not.

It was a good party trick, but the magicians never truly produced the rabbit, only a simulacrum of one.

That’s what we were to them, ones and zeros being programmed, our information stripped from us to create the world for the next pliant generation. They wanted newborns no longer sucking at the teat of the TV screen, or the iPad or the mobile phone but shrouded, cocooned, all stimulus inserted via goggles.

So what was to be done?

It was simple, really. All I had to do was complete three missions in the 21st century.

1) Make sure the left didn’t bury the anti-Iraq War campaign, one of the first countries in the long line of boxes being ticked off, the way they’d done with all the others. As long as it didn’t end up as another forgotten walk in the park, we might stand a chance. Check.

2) Make visible the invisible and humanise the Chinese in the culture, on the BBC and in the rest of the media. Usher them out of the ghetto, where they were sitting ducks, before the war started in earnest. Nice try.

3) Stop World War 3. Still working on it.

Edge Bulletin 1 – Logged 18 June 2023

More at Anna Chen's website

Sunday, 19 October 2014

Anna on the BBC World Service Weekend programme, 18th October 2014

I was a guest on the BBC World Service Weekend programme on Saturday, talking about the news: the Middle East, The Catholic Synod, Ebola and sheds. This year is the tenth anniversary of the Morecambe Bay Chinese cocklepickers disaster so I read my poem, "I Am Rich and Your Are Poor: lines on dead Chinese workers and their rich benefactors".

Daniel Johnson (son of Paul and editor of Standpoint mag) was the other guest. It was presented by Paul Henley and producer by Michael Innes.

You have seven days to listen … and other Ringu tropes.

Thursday, 2 October 2014

Tonight at The Forge: I'm reading poetry among a smorgasbord of East Asian talent



DISLOCATING ASIA 7pm tonight at The Forge in Camden.


It's finally arrived … 7pm TONIGHT, I'm performing at the spectacular Dislocating Asia talent fest in Camden. With Charles Shaar Murray, Diana Yeh, Daniel York, Jennifer Lim, Wondermare, Liz Chi Yen Liew (Chi2, Damon Albarn) and Lucky Cat Zoe Baxter.

I'll be doing a 25 minute poetry set accompanied by Charles Shaar Murray on guitar, who'll also be guesting with Wondermare.

Dislocating Asia
This event is part of Camden Migration Festival

WIN: A whole bundle of prizes from our Dislocating Asia contributors. To be in with a chance to take the following home, simply book your ticket now.
1) Signed copy of Diana Yeh's book The Happy Hsiungs: Performing China and the Struggle for Modernity
2) Signed copy of Anna Chen's poetry collection Reaching for My Gnu
3) Signed copy of Liz Liew's CD Snapshots
4) DJ Lucky Cut Zoe Baxter's exclusive mix CD with sleeve notes

The Forge
3-7 Delancey Street
London
NW1 7NL

contact@forgevenue.org

020 7383 7808

Friday, 26 September 2014

Saturday interview at All That Is Solid with Anna Chen: "Don't sneer at love in politics"

Saturday interview with Phil Burton Cartledge at All That Is Solid ...: Anna Chen


Extracts: highlights and lowlifes

- Why did you start blogging?

I started blogging as Madam Miaow in 2007 to stop me chucking heavy objects through the television screen. I needed not only to vent, but to order my thoughts when faced with the all-pervading mess out there. I'm sure there are many of us who have been kept sane by having the option to communicate our views to an audience, even a small one. It's a healthy way to make sense of an increasingly chaotic world.

- What set of ideas do you think it most important to disseminate?

A rising tide floats all boats. Rosa Luxemburg's warning that the choice would be between socialism or barbarism grows truer by the minute. Socialism is supposed to about an egalitarian, freeing society; from each according to their ability, to each according to their need, not a wholesale troughing down by power-hungry opportunists.

- What set of ideas do you think it most important to combat?

Nationalism, anti-immigration, racism, sexism. I would include reformism if only there was a socialist alternative.

- How about political villains?

Anyone who rises through the left only to take an axe to the movement as soon as they see an opportunity to climb the greasy pole — they have done so much damage to the movement and proper socialism which should represent liberation for the majority. The SWP analysis in the late 1990s predicted that Blair would be right-wing and betray the working class who would move rightwards so it was vital that we build an alternative to Labour. They were correct in that instance yet here we are over a decade later with the left worse than ever following pointless sectarian punch-ups mostly initiated by the SWP when a strong principled left has never been more desperately needed.

- What do you consider to be the main threat to the future peace and security of the world?

The constant upward suck of wealth with our resources accreting in the hands of a tiny global elite. This can't carry on without major crises and a battle to redistribute fairly. Trouble is, they now have the technology to hang on to their ill-gotten gains and leave us behind. Recent "revolutions" have not been inspiring, they've simply meant a change of personnel at the top as die alte scheisse takes over.

- What would be your most important piece of advice about life?

Beware inadequates — they loathe you. Learn to tell the difference between lip-service and action. If love isn't part of your politics, then you have no business telling others what to do and how to run the world. Far from being romantic nonsense as so many cynics would have it, love is the highest plane on which human beings as social animals interact. We need to develop 360 degree abilities and wider bandwidth.

- What do you consider the most important personal quality?

Capacity for love — not the romantic kind, the other bigger one that encompasses generosity, solidarity and comradeship. Intelligence versus cleverness.

- And any pet peeves?

Mockney accents on posh leftists who tell working-class people how to be working-class. Purported progressives and anti-racists I've never met projecting their yellow peril fears onto me. Leftists who fall over themselves to appropriate your labour and the comrades who turn a blind eye. The snowy blinding WHITENESS of the left groups and the obvious lack of diversity, often manifesting as outright hostility towards Other. Organisations that bolt themselves to the front of other people's struggle and then claim leadership rights. None of this helps us advance our political cause.

- What piece of advice would you give to your much younger self?

Use softening rose water instead of tonics that strip your skin and dry it up. Don't smoke or stay in the sun too long.

Don't go anywhere near the British far left. Too many charlatans, careerists and snake-oil salesmen and women with ambitions who are happy to plant their boot in your face if it means personal advancement as soon as something's up for grabs. Suddenly, gay rights are no longer a "shibboleth", that rape never happened and "what's yours is mine". Wise up to the fact that, just because someone says the right thing, it doesn't mean they live it. No-one on the left has your back if you are already a marginalised minority because so many of them are insecure, chasing status, career, youth and power, and they harbour a deep contempt for those who they see as occupying the bottom of society, whatever lip-service they pay otherwise — it's their own self-loathing projected out. Just because you are comradely, principled and non-sectarian, it doesn't mean everyone else is, too, simply because they've read the right books. Watch out for the middle-class ones who sneer at ethics and morality as "bourgeois", forgetting that Trotsky wrote a book called Their Morals and Ours, not Their Morals and We Ain't Got None.

Click to read more >>>

Tuesday, 1 July 2014

Chinese British comic Anna Chen says WTF with the stereotypes? Subversive stand-up comedy in the week of Act for Change.


British East Asian comedian Anna Chen on Asian stereotypes, terracotta warriors, and pets.


This week, hundreds of actors, artists and creatives attended the Act for Change conference at the Young Vic in London looking at the alarming lack of diversity in TV, film, the media and the arts.

Fed up with the continuing exclusion of Black Asian Mixed race Ethnic (BAME) actors, I'm reposting a video (above) of a couple of gigs I did a while back at The Lion's Den and Mirth Control, lampooning stupid Asian stereotypes.

London, my home city, is nearly 40 per cent BAME. A few years back there was 31 per cent BAME representation in the media industry, but that's plummeted to five per cent since Ofcom dropped their diversity guidance. I've touched on this before but still no response anywhere from Ofcom who, one might suspect, don't give a flying one.

For someone who's pretty hard to miss, I'm surprisingly invisible. There's a whole load of us feeling the same way, and we're getting behind Act for Change.

Kat, one of my fellow British East Asia Artists (BEAA) co-founders, who tweets as Little Miss Mandu, read out a powerful quote at the conference, illustrating brilliantly our predicament:
"You know, vampires have no reflection in a mirror? There's this idea that monsters have no reflection in a mirror. And what I've always thought isn't that monsters don't have reflections in a mirror. It's that, if you want to make a human being into a monster, deny them at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn't feel myself reflected at all … And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might see themselves reflected back and might not feel so monstrous for it." Junot Diaz

My show, the comically subversive Suzy Wrong — Human Cannon, was all about that. I performed it at the Edinburgh Fringe Festival in 1994 and nothing's changed. Except maybe everything's going backwards.

You can't even rely on the left to do the right thing.

There's a dangerous side to minorities being kept invisible, like a pool of scapegoating ready to activate whenever governments get into trouble. The elephant in the room is that governments can and do divert social anger onto you when they screw up. Being kept in the role of a blank canvas, anyone can project their inner demons onto you.

And there are historical precedents for that.

(Video: two categories in Olympic weightlifting competition are the "snatch" and the "clean and jerk". True.)

Monday, 19 May 2014

Anna Chen's live dates coming up in London


Political poetry in London — Anna Chen at Campaign Against Climate Change


Looking forward to performing poetry at the Campaign Against Climate Change cabaret 6-11pm, Sat 31 May at the old Amnesty HQ, 25 New Inn Yard, London EC2A 3EA. £10 & £7
https://www.facebook.com/campaigncc
https://twitter.com/campaigncc
http://www.campaigncc.org/events/2014/Cabaret

Wednesday 21st May 4pm, another China Diaspora in Britain talk for USC students in Bloomsbury.

Friday, 25 April 2014

My poetry gig at YW8, The Proud Archivist, tomorrow at 8.30pm


Anna Chen performs poetry for the YW8 launch at The Proud Archivist in east London tomorrow.


I'll be doing some of the funnier poetry.

It's a new arts centre on the Regents Canal just off Kingland Road, near where I was born and raised, a po' Chinese Brit gurl in deepest Hackney. Although the gig is billed as Shoreditch.

The Proud Archivist, 2-10 Hertford Rd, N1 5ET

Show starts 8.30pm, Saturday 26 April 2014. In these austere times you'll be delighted to know it's free entry. Woot!

Doors open at 8.30pm with the acts running from 9pm till 10pm. We're excited to have the amazingly talented Anna Chen (otherwise known as Madam Miaow) read some of her poetry to kick off the evening, which will be hosted by the versatile Siu-See Hung of the London Actors' Hub.

Other acts for our launch include: William Seaward, Matthew Lim, Jade Ho and Andrew Arasaratnam.

A free standing open-mic will run after the program ends, so feel free to stay till late and perhaps do a little performance of your own.

So now you know. See you there.

Tuesday, 22 April 2014

Women of the Blues on today's final Madam Miaow's Culture Lounge, Resonance 104.4FM, 5pm



Today live at 5pm on Madam Miaow's Culture Lounge, Resonance 104.4FM, Charles Shaar Murray concludes his Guide to the Blues with Part 3, The Women of the Blues.

Presented by Anna Chen with Charles Shaar Murray.
Guest: Sarah Gillespie.


Today's final Madam Miaow's Culture Lounge of the series wraps with Charles Shaar Murray's Guide to the Blues Part 3: The Women of the Blues.

Singer, songwriter and fine artist Sarah Gillespie joins Anna Chen and Charles Shaar Murray to look at the history of the Blues, its dominance by women in the early years, and the current resurgence of female artists. From Jim Crow laws, the cotton fields and abject poverty in the former Confederate Southern states to the promise of the big cities, these women not only rose to the top of a major western musical genre, they helped create it.

Featuring tracks by Bessie Smith, Billie Holiday, Clara Smith, Big Mama Thornton, Etta James and more.

Listen live (click on the Resonance FM widget in the sidebar) or afterwards online.

Full set of Madam Miaow on Resonance FM.

Resonance 104.4FM

Tuesday, 1 April 2014

Restaging Revolutions: alternative theatre on Madam Miaow's Culture Lounge tonight 5pm, Resonance 104.4FM


Tonight live at 5pm on Resonance 104.4FM, Madam Miaow's Culture Lounge's guests are Dr Susan Croft and Neil Hornick of The Phantom Captain theatre company.

Presented by Anna Chen. Charles Shaar Murray rides shotgun.


The alternative theatre movement in Britain was a post-war explosion of talent and ideas that took theatre to the masses in the two decades from 1968. Dr Susan Croft, curator of the Restaging Revolutions exhibition currently on at Holborn Library, talks about this rich cultural period with Neil Hornick, veteran of the movement in his role as founding member and director of The Phantom Captain theatre company.

With clips from The Phantom Captain's productions.

Unfinished Histories website — a great resource for the period.

Listen live (click on the Resonance FM widget in the sidebar) or afterwards online.

Full set of Madam Miaow on Resonance FM.

Resonance 104.4FM







Friday, 31 January 2014

Happy Chinese New Year of the Horse: and a poem about panda sex


Last night I won the annual Farrago Poetry Zoo Award for Best Performance by a London Poet for 2013. Held at the RADA Café in Malet Street, the Farrago poetry events are supportive and inclusive, not to mention exciting, showcases for some very hot new talent. Thank you to everyone who voted for me. What a great way to see in the Chinese New Year of the Horse.

I read my new poem, "Chi Chi's Glorious Swansong" about panda sex (video below), and "Credit Crunch Suicide", a short poem about the bankers, that I'd debuted the night before, at the Oxford and Cambridge Club for Chinese New Year.



Charles Shaar Murray won Best Fiction Reading for his first novel The Hellhound Sample, from which he read an extract at the Farrago Fiction Slam and workshop at the Poetry Café in Covent Garden.

Congratulations to everyone who performed last night — what an awesome bunch of talent. Jason Pilley is an outstandingly original presence who deservedly won Best Overall Performance; Anna Khan has really nailed her performance with the most beautiful jazz voice in service to her poetry; and Sean Wai Keung won Best Debut Performance with his drily witty yet touching personal voice.

Thanks to John Paul O'Neill for putting on a great event that's so inclusive. Over 60 poets were nominated for last night's awards.


My first collection of poetry, Reaching for my Gnu, is still available as an e-book and a paperback.

Here's a poem wot I just wrote:

The Year of the Horse

May you never find pony in your boloney.
May you only find ham in your spam.
We could all afford steak, if only
The government gave half a damn.

Kung hei fat choi!
xxx




Friday, 3 January 2014

The forced repatriation of Chinese seaman from post-war Liverpool: my column for the South China Morning Post

Photo: Pak Hung Chan

In 2007 I made a ten-part series for BBC Radio 4 called Chinese In Britain. Along with my wonderful producer Mukti Jain Campion at Culture Wise, we covered hitherto largely unknown issues and events such as the forced repatriation by the Attlee government of Chinese seamen who'd risked their lives keeping Britain's merchant navy running in World War II.

Last year, Moira Kenny at Soundagents helped organise a commemorative plaque on the site of the Blue Funnel offices in Liverpool. My South China Morning Post column on the subject:

"Keep my funnels tall and blue and look after my China men". So reads the quote from Victorian magnate Alfred Holt on the newly erected plaque outside the former Blue Funnel shipping office (now the New Capital Chinese restaurant) on Nelson Street, in Liverpool's Chinatown. 
It has taken more than 60 years but at last the thousands of Chinese mariners who worked for the company are being remembered. The plaque's blue denotes a historical marker and Holt's "China men" wrote their own chapter in Britain's seafaring tradition - only to be shamefully cast away in the aftermath of its "finest hour". 
For too long their experience constituted an episode the British authorities seemed to want to forget. Thousands of men sailed from Shanghai and Canton to Britain in the years following the Blue Funnel Line's establishment, in 1866. For decades it was Britain's main trading conduit with China - and by the second world war, some 15,000 to 20,000 Chinese sailors had made Liverpool their home. ...

READ MORE HERE

Also, read Don Flynn at Migrants' Rights

Chinese coolies on the Western Front in World War I.

Saturday, 23 November 2013

Orwell Prize 2014 launch panel: Internet and the modern self with Anna Chen



Had a fun time as a guest speaker for the Orwell Prize 2014 launch event held at the Frontline Club last month, talking about 'Internet and the modern self: manners and abuse online.' Paul Anderson took this video of my bit.

Also on the panel, Helen Goodman MP, Professor Suzanne Franks and Dr Aaron Balick. Chaired by Jean Seaton.
21st October 2013
http://theorwellprize.co.uk/events/launch-debate-2014/

Tuesday, 29 October 2013

Cultural Revolution: this week’s Madam Miaow’s Culture Lounge on Resonance FM

Red Det www.china-guide.com:cgcmall

Cultural Revolution — 29th October 2013.

An anarchist, a Trotskyist and a communist walk into a studio ... Find out what happens next by listening to Madam Miaow's Culture Lounge at 5.30pm on Resonance FM.

This week, Anna Chen looks at what happens to culture during a time of revolution. What are the ideals? What goes right and what goes wrong? With Ian Bone, Cliff Cocker, Mike Pearn, Elizabeth Lawrence and Charles Shaar Murray.

Anna's BBC Radio 4 programme, Madam Mao's Golden Oldies, in which she explores the Chinese Cultural Revolution and Jiang Qing's model operas, is available to listen on iPlayer until Saturday 2nd November 2013.

On Friday 1st November, Anna is interviewed on Overwhelming China, BBC Radio 4 at 11am. Presented by Philip Dodd.

Madam Miaow's Culture Lounge
Cultural Revolution
Resonance FM
5.30pm, Tuesday 29th October

Sunday, 13 October 2013

What am I up to? Coming up ...


Tuesday sees the launch of my Resonance FM series with "Oh Other, where art thou?", discussing yellowface, blackface and east Asians in the kulcher. My guests include Daniel York (The Fu Manchu Complex) and his band Wondermare, actress Siu-see Hung, Dr Diana Yeh and Ben Chu of the Independent who's just published Chinese Whispers demolishing myths about the Chinese.

MADAM MIAOW'S CULTURE LOUNGE
Listen live on RESONANCE FM
5.30-6.30pm Tuesday 15th October 2014
Available online to LISTEN AGAIN

On Monday 21st October I'm on the Orwell Prize 2013 launch event panel talking about the phenomenon of online trolling.
This year's discussion will focus on 'Internet and the Modern Self: Manners and Abuse Online'. The panel of speakers include Helen Goodman MP, Madam Miaow Says blogger Anna Chen and Professor Suzanne Franks. What is going on after a notable summer of online abuse? Why are online personas so different? How do we fix this?
THE ORWELL PRIZE 2014 LAUNCH EVENT
The Frontline Club
13 Norfolk Place, Paddington, London W2 1QJ
Details to come

MADAM MAO'S GOLDEN OLDIES
3.30pm, BBC Radio 4
Saturday 26th October
A repeat of my programme about Jiang Ching's model operas made during the Chinese Cultural Revolution and what happened to some of the people who took part.

Friday, 4 October 2013

Anna Chen's upcoming performances: Bohemia N12, the Fu Manchu Complex public debate and BBC Radio 4's Overwhelming China


Charles Shaar Murray and I are reading poetry tonight at the Bohemian Community Centre pub, 762-764 High Rd Finchley N12, brought to us by the Friern Barnet library occupy crew who won a new lease of life for the only public space in the area, a lovely little purpose-built library that was about to be swallowed whole by developers. They appear to be doing another grand job and liberating an abandoned pub for the community. 7-11pm. Phoenix Rainbow MCs.

I'm also reading poetry at tomorrow's pre-The Fu Manchu Complex public debate at the Oval House Theatre, 4.30-6.30pm. The main event in the evening, a satire by actor Daniel York who was at the centre of the RSC The Orphan of Zhao controversy, is a satirical view of the yellow peril scare that is going through a revival at the moment.

Dan and I have been interviewed for Overwhelming China, a programme examining the origins of the anti-Chinese mania ratcheting up as China heads for superpower status. To be broadcast 11am, Friday 1st November on BBC Radio 4.

Before I forget, I am hosting a short series of Madam Miaow Says on Resonance 104.4FM commencing Tuesday 15th October at 5.30pm for an hour. We launch with "Other: Where Art Thou?" exploring yellowface, the return of blackface and the general backward march of representation for effniks. With Dan York, Julie Cheung-Inhin and Emily Seu-see Hung, and music from Charles Shaar Murray and Melody Brown.

Saturday, 13 July 2013

My new poetry videos: the Pop-Up collection



I got to borrow my friend Sukey Parnell's wonderful little pop-up studio on Friday. It's a fold-up black velvet backdrop and a collapsible tubular metal frame. Filming in the north-facing bay window on my Panasonic Lumix TZ20 produced some interesting footage.

Here, for your delectation, are some of the results from my playday.

I Am Rich and You Are Poor: lines on dead Chinese workers and their rich benefactors.

Burger

More to come.

Anna's poetry book, Reaching for my Gnu, is published by Aaaargh! Press.

Friday, 5 July 2013

Greg Palast enjoys Anna Chen's "heavily armed" poetry


Look what that nice Mr Palast wrote about Reaching for my Gnu in Vice Magazine.

"Anna Chen’s poetry wears wet leathers, red lipstick, stilettos – and is heavily armed. Her slim volume, Reaching for My Gnu, is filled with what I’d call 'strap-on poems'. They look like an evening’s easy pleasure but are far more painful and unforgettable than you’d bargained for." GREG PALAST in VICE MAGAZINE

Oo-er, Greg, you'll scare the horses.

Paperback and Kindle books from here. Published by Aaaargh! Press.

Photo by Charles Shaar Murray

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