Monday, 2 December 2013

George Osborne says we can't afford the welfare state. Here are some reasons why.

George Osborne says we can't afford the welfare state. Of course we can't afford it. £70bn pa in tax avoidance, tax cuts ... Someone has to pay for all that and the 147% pa profit made by the train companies. Fire sales of public assets. All those extra billionaires with tastes to match: £20K cocktails (£35,000 at Movida), £330K rounds of drinks, £49mn apartments planned at Battersea Power Station making residents of No 1 Hyde Park look like paupers, £32mn Ferraris, £6mn bras (see pic above), diamond encrusted everything. Not to mention the odd war (check out those politicians' arms portfolios).

According to The Sunday Times Rich List in 2010, after a short dip in the collective wealth of the top one thousand weathiest Brits in 2008, it went up by a third in one year, 30 per cent in 2009 in the wake of the economic crisis. That's over £77bn up to £333.5bn, the biggest annual increase in the 22-year history of The Sunday Times rich list. Worldwide, the 358 people with assets of more than $1bn were worth more than the combined annual income of 45 per cent of the world's population.

There were 447 billonaires in January 2013. The world's richest hundred people could end world hunger now.

Randeep Ramesh wrote in the Guardian in 2011:
"In Britain, a dramatic rise in inequality has been fuelled by the creation of a super-rich class. The (national wealth) share of the top 1% of income earners increased from 7(.01)% in 1970 to 14(.3)% in 2005. ... Just prior to the global recession, the OECD says the top 0.1% of highest earners – accounted for a remarkable 5% of total pre-tax income, a level of wealth-hoarding not seen since the second world war."

Michael Meacher wrote in his open letter to the press in 2012:
" ... the richest 1,000 people make up only 0.003% of the population and yet they have made £155bn extra in the past three years, in the depths of the recession. If they paid off the entire deficit they'd still have £30bn with which to console themselves. Their combined wealth is the highest in history: 1,000 individuals own £413bn, more than a third of Britain's GDP. Their increase in wealth has been £315bn over the past 15 years. Capital gains tax on this at the current 28% rate would yield £88bn, that's 70% of the entire deficit. And yet it's the poorest and weakest who are paying: 77% of the budget deficit is being recouped by public spending and benefit cuts. Only 23% comes from tax increases, and half of that is from VAT which we all pay and hits the poorest hardest. None of the tax increases are specifically aimed at the super-rich."

Not to mention that the Coalition government has borrowed more in three years than Labour did in 13: £430.072 billion compared to £429.975bn.

C'mon, Tamara Ecclestone has to pay for her half a million quid shelf of Birkin bags somehow.

Listen to The Super Rich with Aditya Chakrabortty, Kate Belgrave and Charles Shaar Murray on Madam Miaow's Culture Lounge, Resonance 104.4FM.

John Kampfner on the history of the super rich.

From Vice magazine: The Seven Reasons Why Super Rich British Tax Dodgers Don't End Up in Jail.
A 2014 report by the Equality Trust revealed that the poorest 10 percent of British households pay eight percent more of their income in all taxes than the richest; 43 percent compared to 35 percent. And that's before tax avoidance schemes have been taken into account. What the rich fail to put in, the rest of the country must cover in taxes like income tax and VAT.

Thursday, 28 November 2013

John Sinclair performs Twenty One Days in Jail



Following the awesome appearance of 1960s icon, poet and political jailbird John Sinclair on Madam Miaow's Culture Lounge at Resonance FM on Tuesday, I'm posting the video I took of John when he played at Café Oto a few years back.

He performs Twenty One Days In Jail, accompanied by Gary Lammin on guitar, Martin Stacey on bass, Jim Jones on piano, and Paul Ronnie on harmonica.

Listen to John Sinclair on Breaking a Butterfly on a Wheel: Modern Heroes, programme 7 in Anna Chen's Resonance 104.4FM series, Madam Miaow's Culture Lounge. With Oliver Shykles of Queer Friends of Chelsea Manning and Charles Shaar Murray.

Tuesday, 26 November 2013

John Sinclair and modern heroes on Madam Miaow's Culture Lounge Resonance FM, 5.30pm today


John Lennon sings "John Sinclair"

MADAM MIAOW'S CULTURE LOUNGE 7/8
News, music and poetry
RESONANCE 104.4FM
Presented by Anna Chen
5.30-6.30pm Tuesday 26th November 2013
http://resonancefm.com/listen
https://soundcloud.com/resonance-fm/sets/madam-miaow-says
(To listen to Madam Miaow's Culture Lounge series on Resonance FM for WINDOWS, download VLC media player)

BREAKING A BUTTERFLY ON A WHEEL: MODERN HEROES
Guests: John Sinclair and Oliver Shykles. With Charles Shaar Murray.

What happens when the state gets nasty? A new breed of modern hero is emerging, casting light on what our "democratic" governments get up to: Chelsea Manning, Edward Snowden, David Miranda.

John Sinclair, now a grand old man of the counterculture, was an early victim of the US government and who subsequently became a cause célèbre. He was a militantly politicised hippy, the manager of the MC5 and a founder of the White Panther Party.

In 1969, he felt the full spite of the state when he was sentenced to 10 years for supplying 2 joints to an undercover narc. Only widespread protest — including John Lennon writing and recording a song, "John Sinclair" — got him an early release.

John Sinclair is in the studio today alongside Oliver Shykles from Queer Friends of Chelsea Manning, who'll be talking about Manning, Edward Snowden and why we should be wary of governments siezing extra powers.

With tips from Oliver Shykles on how to stay private.

Breaking a butterfly on a wheel — 5.30pm TUESDAY 26TH NOVEMBER
Listen live
or afterwards
listen online

Previously …
https://soundcloud.com/resonance-fm/sets/madam-miaow-says

The Borgias - 0 Tudors - 6: review of the Showtime series starring Jeremy Irons

Suffering from withdrawal symptoms at the end of my DVD box set binge of The Tudors — superb pacy story-telling, complex characters you cared about, stunning costumes and jewellery — I looked for a replacement. One friend assured me that The Borgias with Jeremy Irons was as good as. How could it not be? The most infamous family in Christendom, politics, power, treachery and sex.

I'm afraid my friend was wrong. Very wrong.

It's like wading through wet cement and I'm having a problem staying with it in the 2nd season. I can see why it was dropped after three seasons. Jeremy Irons is more a peeved country squire than the satanic but charming Roderigo Borgia transforming himself into Pope Alexander. No matter how much he seethes and flashes his eyes, he does not have the gravity of Daddy Borgia.

Same with Cesare Borgia played by Francois Arnaud. These are not bad actors, just a sadly miscast reflection of the programme's middle-class audience.

The real problem is the script. Ye gods: pompous, ponderous, on the nose, overlong. Scenes that outstay their welcome, the writing puts the bore in Borgias. I mean, how can you make Nicolo Machiavelli a smirking clerk? None of the lethal intelligence of the age is even approximated at, only shallow posturing. Neil Jordan needed someone on the team to give him a counter-balancing wit and verve, the sort that made The Tudors sparkle.

Not just in the style, but the content. The Tudors is excellent in showing how complicated politics worked in Henry VIII's time and swings you with masterful ease around all the perspectives, so you always understand the motivation behind dodgy choices even if you don't agree with them. The Borgias just have one dreary linear one-damn-thing-after-another plot but with long gaps. It's mostly telling with little showing, and all on one note.

We are told the fact that certain things happened and that choices were made, such as the French King Charles's change of mind when he captures Lucrezia — but there's never a convincing demonstration of why he suddenly held back. And then Charles simply agrees with Roderigo that the French army should go on to Naples rather than stopping to sack Rome. We are told the surface facts but are never shown the emotional and subtle reasons why this should be. This was never a problem with The Tudors.

Some of the characterisation is rivalled only by cardboard. Performances veer off grand guignol and into amdram. I mean, the affected nasal whine of the Naples prince and King Charles of France's uglification may have neen historically true but here it's apparent that it's being acted.

The only character who seemed to have any complexity is Giovanni Sforza (Ronan Vibert), Lucrezia's first husband who comes a cropper after serially raping her and trying to extract himself from the political commitments that went with the marriage.

The film set is the star. The bonus feature showing you how the vast beautiful hall of St Peters was made is fascinating. If only the series was half as interesting.

Showtime obviously felt the same as me and hunted for a replacement series to fill the Tudors gap and settled on what should have been a no-brainer. Unfortunately, this is no I, Claudius, Game of Thrones or ... dare I say it one mo' time, The Tudors.

Saturday, 23 November 2013

Orwell Prize 2014 launch panel: Internet and the modern self with Anna Chen



Had a fun time as a guest speaker for the Orwell Prize 2014 launch event held at the Frontline Club last month, talking about 'Internet and the modern self: manners and abuse online.' Paul Anderson took this video of my bit.

Also on the panel, Helen Goodman MP, Professor Suzanne Franks and Dr Aaron Balick. Chaired by Jean Seaton.
21st October 2013
http://theorwellprize.co.uk/events/launch-debate-2014/

Monday, 18 November 2013

Paul Robeson on Resonance FM 5.30 Tues, Madam Miaow's Culture Lounge



MADAM MIAOW'S CULTURE LOUNGE 6/8
News, music and poetry
RESONANCE 104.4FM
Presented by Anna Chen
5.30-6.30pm Tuesday 19th November
http://resonancefm.com/listen
https://soundcloud.com/resonance-fm/sets/madam-miaow-says

PAUL ROBESON, MEET ANNA MAY WONG
Guests: Tayo Aluko and Dr Diana Yeh. With Charles Shaar Murray.

In this Tuesday's Madam Miaow's Culture Lounge on Resonance FM, the world's first internationally renowned African American singing star Paul Robeson and the Hollywood screen legend Anna May Wong chat about their lives and why they are now cultural icons. Well, they would if they were still alive.

However, we do have Tayo Aluko whose award-winning show, Call Mr Robeson, has played around the world. And Anna Chen — who introduced new audiences to the Chinese American film star in her 2009 BBC Radio 4 profile, A Celestial Star in Piccadilly, and has performed her solo show Anna May Wong Must Die! — talks about Anna May Wong who became chums with Robeson when they met in Europe.

With Dr Diana Yeh talking about some of the forgotten pioneering Black and Asian stars of the stage in the early 20th century, and Charles Shaar Murray.

As a famed singer and actor persecuted for his radical politics and civil-rights campaigning, Paul Robeson has the dimensions of an American tragic hero. ... Tayo Aluko does a fine job in evoking his dynamic presence and in reminding us of the inhospitable attitude to dissent in the land of the free. Michael Billington, Guardian



PAUL ROBESON, MEET ANNA MAY WONG — 5.30pm TUESDAY 19TH NOVEMBER
or afterwards

Previously On Madam Miaow's Culture Lounge …
https://soundcloud.com/resonance-fm/sets/madam-miaow-says



(To listen to Madam Miaow's Culture Lounge series on Resonance FM for WINDOWS, download VLC media player)

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