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Showing posts with label Dr Broderick Chow. Show all posts
Showing posts with label Dr Broderick Chow. Show all posts
Tuesday, 27 November 2012
RSC The Orphan of Zhao debate Part 2: British East Asian Artists discussion
With charges of "sour grapes" and claims that east Asians couldn't be cast in parts that had no "Chinese connection", there's an awful lot to discuss concerning the Royal Shakespeare Company's The Orphan of Zhao.
So it's a shame that the RSC declined an invitation to take part in a debate between members of the British East Asian Artists and theatre academics from Swansea, Brunel and Royal Holloway Universities, organised by the Asian Performing Arts Forum.
Dr Ashley Thorpe of Reading University chaired this roundtable discussion. Taking part were Daniel York, Dr Amanda Rogers (Swansea University), Dr Broderick Chow (Brunel University) and Anna Chen.
VIDEO: Part 1 of The Orphan of Zhao debate.
Anna Chen's review of The Orphan of Zhao
The "two dogs and a maid" blogpost that kicked it off.
British East Asian Actors website
The Orphan of Zhao debate Pt 1: no show by the RSC at roundtable discussion
The Royal Shakespeare Company declined this chance to debate with members of the British East Asian Artists group who had been critical of the casting for The Orphan of Zhao, a Chinese classic. The 17 roles included only three BEAs, and those were in minor parts: chiefly working a puppet dog, and playing a maid and a ghost child.
Having seen the production, I can safely say there's a whole lot more that needs to be discussed, oh yes.
Dr Ashley Thorpe of Reading University chaired this roundtable discussion hosted by the Asian Performing Arts Forum; Taking part were Daniel York, Dr Amanda Rogers (Swansea University), Dr Broderick Chow (Brunel University) and Anna Chen.
Thanks to Chowee Leow on camera.
Edited by Anna Chen.
Part 2 of the Orphan of Zhao debate
The "two dogs and a maid" blogpost that kicked it off.
British East Asian Artists website
Anna's review of The Orphan of Zhao in the Morning Star.
Review by academic Amanda Rogers.
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